Screen Printing With a Freezer Paper Stencil: A Tutorial (this time without any dirty little secrets)

I’m back at it, arting and crafting in many directions.  I’ve recovered from my vacation-is-over blues.  I’m again forgoing stylish clothes (heck, even clean clothes) for art supplies and passing up on Cosmopolitan or Glamour magazine for the latest trendy how-to art-related book.  I’ve delved knee deep into freezer-paper-stencil-screen-printing and must tell you how very easy it is.

Assemble a padded printing area.  I just tacked down some leftover quilt batting covered with a piece of scrap muslin.  I certainly could do a better job but see how simple it can be?


It reminds me of a changing table.  For babies.  Here it is again closer:


Next, place a large piece of freezer paper (found at Wal-mart or Hannaford) shiny side up on a cutting mat.  It must be a bit larger than your screen.  Draw a simple design with a Sharpie and then cut out the design, carefully following your marker lines, with a sharp exacto knife.  Place your screen on the design, centering it, with the deeper side (or well) facing up, and trace around the screen with the Sharpie.  Trim off the excess freezer paper following the traced line.

Place a piece of fabric on your make shift padded surface, i.e. changing table.  Place your stencil on the fabric, shiny side up of course.



Here I’m screen printing the two parts to a doll’s head.  It will be sewn later.

Next place your screen on the stencil, lining up the edges.  The deeper side of the screen must face up.



Now, using a plastic spoon, glop on some screen printing ink at the top of the screen, above your image like so:



Using the screen printing squeegee, scrape the ink across the stencil quite a few times, applying moderate pressure.  The idea is that the ink with fill the stencil openings, completely and uniformly.  Each time you scrape, go all the way to the end of the screen’s well and scoop up the excess ink onto the squeegee.  Bring the ink back to the top and plop it down again, getting as much off the squeegee as possible.  Repeat with the scraping.  You will have to do this more times than you think.



I didn’t complete enough scrapes, or enough passes, for my first image above.  It’s all blotchy and incomplete. So I moved my screen to a new spot on my fabric and did a better job the second time!


And there it is!  A lovely ballerina face and back of the head, if I do say so myself!  Let the image dry completely and set according to ink directions.  Get messy, make mistakes, and have fun!!!


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Somerset Studios GALLERY Giveaway Winner Announced Plus A Brief San Juan Range Trip Report!

These comments are amazing, each and everyone of them!  You ladies have cheered me up so much! I am home from my grand and glorious adventure, this is day two back to reality, and I must admit that I’m more than a little depressed.   My dear hubby and I went kid-less to Colorado to see a bit of family and to have our own little vacation. Being home now means dishes in the sink, kids saying “maaaaaawm” 150 plus times per day, and back to…dare I say it…work.  Such a dirty word, work.

I can’t help but feel unappreciative saying all of the above.  Simply because what I just experienced was truly magical. Our trip was a lovely journey- everything I thought it would be and more.  I’m grateful for the memories.  I guess I’m just quite sad that it’s now very much over.  We all went grocery shopping today and I felt pretty teary eyed in the frozen foods aisle.  I’m certain this feeling is “normal” and over time I will grieve and let go.

My most exciting thing to report about was our hike up Uncompahgre Peak located in the San Juan Range of Colorado.  A 14er, as the mountaineering world calls it, this beauty towers above nearly all of the Rocky Mountains at over 14,300 feet tall.



The hike to the top led us through an expansive alpine wild flower meadow.  There were columbines, moon flowers, sedums, geraniums, anenomes, and much more.  The alpine meadow reminded me of the movie The Sound of Music.  It was a religious experience to say the least.  The beauty was overwhelming.  Emotional really.



We saw many marmots and even more marmot poops.  I deduced that the poops were from the marmots.  The poop to marmot size ratio was fitting.  It was the cutest poop ever!!!  And the marmots were super cute too!  Way cuter in fact than their cute poop.


The hike was a two-day affair and the air was thin.  I was out of breath and my lungs hurt the whole way up.  The altitude made it feel like I was running a marathon even though I kept a turtles’ pace.  Finally getting to the top and viewing the hundreds of massive peaks outlining the 360 degree horizon was nothing short of a bucket list accomplishment. These images don’t do it justice.


Here’s another:


And one more for good measure:


That’s my hiking and life partner.  My better half.  Makes a dragon wanna retire, right?  After packing up and hiking out, we drove to Ouray, Colorado.   The prettiest place on Earth I’ve ever been.  I’ve been to a few places too.  This area is where we want to retire.  If we can wait that long.


Ouray is a small, old-west town nestled in the valley of these striated, scrub brush dotted hills. Our sweet little motel had an indoor hot spring/sauna.  And an outdoor hot spring fed pool.  And great food.  And maids that cleaned our room…  Sniff sniff…


The ornate shop fronts are actually a thing of history; they are called MESKER fronts and are made of stamp-pressed metal panels that are then decoratively painted.  The Mesker brothers owned a factory, two competing factories actually, that made these stamped facades a hundred plus years ago.


We traveled to Silverton, Eureka, and Lake City.  We explored a few ghost towns and mines.  We drove around the rim of the Black Canyon of the Gunnison where these spirally trees caught my eye.



I talked to these big cows.  They listened briefly but overall I’m pretty sure they thought I was nuts.



How much art journaling did I get done on this jam-packed trip?  Not a whole lot.  A few pages.  Here’s a page that I did on the plane.  This marks a realization that I run around at a lightening-fast pace like a clown most of the time. In other words, I had a mini epiphany, mid-page here, to slow down, stop and smell the roses, and guard my free time.  Limit obligations if at all possible.



Well, I’ve probably talked long enough.  I’m again so inspired by all your thoughtful comments.  It looks like Maui should be on my bucket list.  And more camping.  I do love camping…  I am so inspired that I’ve decided to choose a second AND a third place winner to each receive a little bundle of goodies.  So all your lovely names are going quite literally into a stainless steel mixing bowl.  I’m stirring them up and I am pulling out the grand prize winner now for the latest GALLERY magazine and one of my hand bound books… And the winner is…

Lynda Gilchuk!!!

Congrats Lynda!!!  I was so happy to read your sweet comment!!  Photos certainly count as being creative.  Just email me your address (or message me on Facebook) and I shall send you your magazine and book and maybe a little something extra!

So, the second place winner?  Here goes… Mixing names,,, And the second place winner is…


Congrats Sharon!  I love your little story about your acrylic painting!  Again email me your address and I shall send off a couple little artful surprises!

And now for the third and final winner of some cute little artsy goodies:


Congrats Konstanze!!  Your story sounds so meaningful and I just loooove Neocolors!!! Email me your full address as I’m in the US!

Thank you everyone  for playing.  You’re all dears and you’ve brightened my return immensely.





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Stampington Sponsored Giveaway: Somerset Studio GALLERY Summer 2015!!!

Oh goody, goody, goody!!! I am announcing another hot-of-the-presses, gorgeous Stampington magazine giveaway! This time I get to send to one lucky winner the latest Somerset Studio GALLERY magazine; the summer 2015 issue.  This issue is a jam-packed collection of amazing Somerset-esqe art.  From artsy mermaids to painted matchboxes, and waxed envelopes to altered playing cards, this issue is sure to inspire the new and seasoned artist alike.  I will also include one of my small, yet lovely, handbound blank journals with this prize.  Oh how I do LOVE to make books!


Kim Collister’s awesome black ‘n’ white angel adorns the cover and she’s written a gorgeous article inside to follow it. I’m  just drooling over Deborah Company’s art journals presented in this issue.  She’s painted, collaged, written, stamped, and stenciled all over several of her pages in a section titled “Metamorphosis.”



I love this messy kind of journaling.  Where you just do it;  not over-thinking art rules but solely get immersed in the process of making.  I also love the uneven fore edges, of which she has many.  And her eyelet/waxed linen binding is simple but oh-so-perfect.  Like I said, I’m drooling.  Which means I’m thoroughly inspired!

I’m also quite intrigued by altered playing cards these days.  Playing cards are certainly making an appearance in the art journaling scene and Cynthia Jerred has me more than enthused.  She has painted, collaged, stamped, and doodled on a deck of playing cards, always leaving the number and suit visible.


What do you need to do to win this issue and one of my little books?   Let me verbosely explain…I’m going on a trip in a while.  I’ve begun to pack the most important part of my luggage; art stuff.  I have to really pare down here as we are doing lots of visiting/traveling/hiking while on this trip.  So I’ve packed a nice little Art Bin box full of the “bare” essentials.


This is it in a nutshell.  A tiny bit of crochet, several pens and pencils, two hand made books filled with glorious cold press watercolor paper, two brushes, a travel set of Koi watercolors, and a white Gelato stick.  My hope is to do some “photo art journaling.”  This would be art journaling around some of my favorite photos that I have adhered into one of the aforementioned books.


My plan is that the photos will act as some sort of journaling prompt.  Whether it’s the subject matter, the colors, or the memory of the day I took the pic, the photo will be my “jumping off point.”

I really like working from a “bare essentials” collection.  The restraint itself allows me create more freely.  Without the sometimes overwhelming art supply hoard at my fingertips, I feel freer to just create.  I guess it’s a simplicity thing…

So, to be entered to win, please leave me a quick comment about the best place you’ve traveled to, where you also did some kind of art or craft.  Food craft counts too!  I’d love to know details (be as wordy as you’d like) but that’s not necessary, just the name of the place and what you made with your hands!  I will draw one lucky winner, literally from a hat, in 12-or-so days.   Thank you, too, for stopping by!

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Easy Artful Lettering Tutorial Part Deux: Thickening Strokes

Letters and words can surely be fun to draw, no doubt and that!  But, like anything, they take practice.  Lots of practice, allowing yourself the room to make mistakes, and access to a good lettering book.  Mary Kate McDevitt, illustrator, graphic designer, and author of a most awesome book, Hand Lettering Ledger, has done a wonderful thing.  She has placed  in the front of her glorious text, a 2-page lettering terminology diagram.  McDevitt has diagrammed (in a super-fun way) the different parts of many letters.  There are sooooooo many different parts of lettering that we, the viewer, or artful letterer, take for granted.  Things like ligatures, dingbats, serifs, bowls, swashes, fillets, and ball terminals.  There’s more:  strokes, eyes, ears, tittles, counters, beaks, tails, and feet.  OH HOW I LOVE LETTERS!  And words. I love words.

Occasionally, I teach a fun, one-night class on artful lettering where I show several approaches to low-stress, letter depiction.  It’s marketed towards the doodler or art journaler.  Now, equipped with the knowledge of letter terminology, I feel greatly empowered!  I know that I can teach the class better now.  Thus proving the equation: knowledge=power.  I’m a better letterer. Did I mention that I love letters?

I’ve become apt at my own wonky font as of late, a tutorial of which can be found here.  This style is one I seem to be stuck on and thus am always looking for ways to embellish it further.  Or change it up here and there.  So, I bring you a quick and easy way to embellish my tall, chubby lettering.  Here is a sentence using my Mandy-style letters:


I realize that the above pangram (a sentence containing all the letters in the alphabet) is supposed to read “…jumps over the lazy dog,” but I always mess that one up.  I guess I want there to be more than one dog.  I like dogs.

So to embellish these letters, while making them  a bit bigger, or more visually prominent, I like to thicken the vertical (or closest-to-vertical) strokes.  Strokes are simply lines drawn upward or downward with a vertical-ness about them.


My thickened strokes are in orange.  When drawing the orange line, I generally stick to the inside curve of each letter, start at the top, and draw down.  I call this “dropping a vertical line.”  It’s not actually vertical as it mimics the curvature of the letter at the very top and bottom, but it’s a good description.

This is sort of my first draft and I’ve quickly realized something:  I like the look of the letters that have only one thickened stroke, better than the ones with two.  Unless it’s a W or an M. Those can have 2 thickened strokes if needed.  I colored in the spaces below:


I also like the look of the words that have letters with the same side thickened. Like below, each letter in the word “brown” has thickened strokes on only the right side.  I like how this looks.  It reads better.



So when attempting this at home, make sure you form wide enough letters, thicken one stroke per letter at first, always try to draw on the inside of curves, and stick to thickening the same side of each letter, each time.  You can try embellishing further with decorative serifs, like below:



Have fun, mix it up, do your own thing, make glorious mistakes, and check out that book!

And now for something quick that has nothing to do with lettering.  Macro lens garden shots:


Spider eyes!  Cuteness (and hairy-ness) on an Annabelle hydrangea leaf.


A massive orange poppy bud after a bunch of rain.  (More hairy-ness).


A peony bud.  Not hairy at all. Smooth and waxy.


Lastly, what’s left after a bright orange azalea flower drops all it’s petals.



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Studio Storage Solutions VOLUME 1: Paper Stuffs

Over the last month or so I’ve been tackling my studio mess.  I’ve got too much art related stuff crammed in a little space.  It was fast becoming non-accessible.  My overall goal is ACCESSIBILITY.  I.e. why have it if you can’t get to it?  I’m far from finished but I am happy to report some very positive changes.  First, I’ve gotten rid of stuff.  This is paramount.  Stuff I thought I would use but never have.  Stuff that peaked my interests four years ago but doesn’t any longer.  It’s gone.  Second, I’ve organized my paper work.  This would be handouts for classes that I teach as well as handouts from classes that I’ve taken.  They sit in the top drawer of this file cabinet:


Not very exciting, I know.  But what IS exciting is the bottom drawer of this file cabinet.  Assuming you are like me and have flat items needing storage that are larger than the typical 8.5 x 11 inch “letter” size file folder, this will interest you.  I turned a legal size file hanging rack sideways to fit in the bottom of this letter size file cabinet drawer.



Before assembling the hanging rack, the long metal side “sticks” had to be shortened quite a bit.  This was accomplished with a metal hand saw.  It was quick and sooooo worth it.  Now I can store all sorts of larger-than-letter size goodies AND they are accessible. (Remember, that is the primary goal here).  Stuff like stencils, sandpaper, packs of printer fabric, and so much more.

My next achievement  would be this lovely office style rack-turned-pads-of-paper-holder.  All my pads of paper are at my finger tips now, instead of stacked on top of each other on a shelf.  I can see what I have available now.  I realized too that I had forgotten about some of the pads of paper in my possession.  Accessibility will save me from that kind of forgetting.



I still need to get rid of stuff but I also am facing another problem:  What to do with all the finished product that lives in my studio space?  I’m not too good at selling my wares at this time.  I can’t keep up with marketing that side of my artsy/craftsy business.  So the finished stuff, that I’m fond of, tends to live with me.  I’m thinking that my studio shouldn’t be a mausoleum of past projects, right?  These books for instance, on the bottom shelf below are taking up valuable real estate space.  They need a shelf in another part of the house.  They will get moved soon…




Flat stuff that can hang on the wall is different as it doesn’t usually take up valuable space.  My favorite nose in the world for instance, lives happily ever after in my studio:






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